Obviously, the rest of the album can't compete, but there's certainly no sign of the side-two slump heard on Protection, as both Andy and Fraser return for excellent, mid-tempo tracks ("Man Next Door" and "Black Milk," respectively). With eerie atmospherics, fuzz-tone guitars, and a wealth of effects, the song could well be the best production from the best team of producers the electronic world had ever seen. The predator that lurks on the cover of the album perfectly represents the moods locked in the album its in-your. "Inertia Creeps" could well be the highlight, another feature for just the core threesome. The limited edition reissue also features a. These remixes were originally intended to be released on a Mad Professor Mezzanine remix album. The blend of earthy with ethereal shouldn't work at all, but Massive Attack pull it off in fine fashion. 20th anniversary reissue of Massive Attack’s double platinum (UK) album featuring the original album re-mastered + an album of previously unreleased dub remixes by the Mad Professor. "Teardrop" introduces another genius collaboration - with Elizabeth Fraser from Cocteau Twins - from a production unit with a knack for recruiting gifted performers. "Risingson" is a dense, dark feature for Massive Attack themselves (on production as well as vocals), with a kitchen sink's worth of dubby effects and reverb.
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It all begins with a stunning one-two-three-four punch: "Angel," "Risingson," "Teardrop," and "Inertia Creeps." Augmenting their samples and keyboards with a studio band, Massive Attack open with "Angel," a stark production featuring pointed beats and a distorted bassline that frames the vocal (by group regular Horace Andy) and a two-minute flame-out with raging guitars. Since it was released in 1998, Massive Attack’s third album, Mezzanine, has endured as a bleak milestone. Mezzanine eschewed much of the soundsystem-influenced homegrown Bristol sound they.
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Increasingly ignored amidst the exploding trip-hop scene, Massive Attack finally returned in 1998 with Mezzanine, a record immediately announcing not only that the group was back, but that they'd recorded a set of songs just as singular and revelatory as on their debut, almost a decade back. Massive Attacks elusive and visionary third full-length back in print.